Oct. 31st, 2016 08:40 pm
Too scary even for Halloween
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All the houses are decked out for Halloween, as are all the restaurants and stores. Every patch of grass has sprouted a fake graveyard and every tree has either a skeleton, or a bat, or a giant spider.
Harold Pinter's "The Room" has no scary props: all the skeletons are, evidently, in the closet. The words of the dialogue are also not really scary, yet, the ever-present tension, the menace and the unspeakable horror lurking just beneath the surface in every scene were the very embodiment of terror.
Coming out of the theater, it was a great relief to see Jack-o-Lanterns grinning with their gaping mouths.
After spending an hour or two with Harold Pinter, even a fiery-eyed witch on a broom can be a comforting sight.
Harold Pinter's "The Room" has no scary props: all the skeletons are, evidently, in the closet. The words of the dialogue are also not really scary, yet, the ever-present tension, the menace and the unspeakable horror lurking just beneath the surface in every scene were the very embodiment of terror.
Coming out of the theater, it was a great relief to see Jack-o-Lanterns grinning with their gaping mouths.
After spending an hour or two with Harold Pinter, even a fiery-eyed witch on a broom can be a comforting sight.
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